Audio Post Production Pro Tools. I n this video I cover the process of creating two templates for audio post production. Throughout these articles tips and tricks will be given to help you get a hold of the ins and outs of audio post-production workflows.
The first is a template for a stereo post production mix which includes layback tracks for the full mix and an undipped DME mix. The tools are roughly the same but their use has a slightly different interpretation than in the music world. To handle the variety of workflows gear formats and environments post production commands Pro Tools MTRX is the ultimate audio command center.
For example you have to assess the suitability of post-production software in a few key areas including functionality licensing price platform and more.
The second template is for a 51 feature film mix and has provision for a variety of bounces including the full 51 mix and a host of 51 and stereo stems. The first is a template for a stereo post production mix which include. It supports 4KUHD and other video formats natively enabling you to start working your audio magic without editors needing to transcode video first. There are as many systems as ways to tackle workflow in audio post production but thanks to industry conventions and Digidesigns long track record Pro Tools has become the de facto standard for audio with concern for film and video alike.
